Saturday, June 29, 2013

The Songs That Changed My Life

"You gotta hear this one song, it'll change your life, I swear" - Sam, Garden State

If you've seen the film Garden State, you'll know what I'm talking about. There's the scene where Natalie Portman's character, Sam, has Zach Braff's character, Andrew Largeman, listen to the Shin's song New Slang, telling him that it'll change his life. That scene spoke to me. We all have songs in our life like that, songs that changed our lives, made us better people, songs that helped shape who we are today. Maybe these songs came into our lives at the most opportune time, when we were feeling down, vulnerable, or maybe something amazing just happened and we're ridiculously happy; maybe they stir misplaced memories, remind us of people in and out of our lives, the good times, the bad times, the times. What ever the case may be, there are songs that we all have some sort of personal connection to, songs that whether we mean to or not, we rely on to get us through life.

I've been thinking about some of these songs in my life. The ones that don't just define me, but the ones that complete me. Some of these songs have been in my life for as long as I can remember, some are as recent as only a few months ago. For some reason I feel the need to share some of these songs. Maybe it'll inspire you to think back on the music of your life and make a list of your own Life Changing Songs.

The Monkees - Daydream Believer
          This song holds some of my first musical memories. I can vaguely recall singing this song on the playground in kindergarten. Every time I hear the song, hear that sweet twinkle of the piano intro, my mood is instantly lifted, it makes me happy. This song is where I take my email and twitter screen-names from, this song is what I listened to a hundred times in a row when Davy Jones died. To this day The Monkees remain one of my favorite bands, and this song will always hold a special place in my heart. 




Crosby, Stills & Nash - Southern Cross
          Sometimes people are surprised when I tell them that Southern Cross is my all-time favorite song. It's not that the song and I go way back. I don't know when exactly it became my favorite song, sometime around 2010/2011, I think. The theme of the song just hit me, searching for something, finding yourself: 

"When you see the Southern Cross for the first time, you understand now why you came this way, 'cause the truth you might be running from is so small, but it's as big as the promise, the promise of a coming day"

This song and I came full circle in May of 2011. I was on the Big Island of Hawaii, on my own, for my birthday, which in itself was a personal spiritual journey of sorts. I had taken a tour up to the top of Mauna Kea, while standing there, watching the sun set from the top of the world, the stars began to come out; I could see the Southern Cross. As we were driving back down the mountain, the song came on the radio in the van. It's so true, seeing the Southern Cross, then hearing the song, the feeling this gave me was overwhelming, it's hard to explain, but I got it. I knew what life was all about.


The Beatles - Across the Universe
          The Beatles. Whose life hasn't been impacted by The Beatles is some way? The Beatles were the first "classic rock" band that I ever got really into, and in doing so, probably changed the course of my life. But why Across the Universe? Out of all the amazing songs by the Beatles that someone could say changed their life: Strawberry Fields Forever, In My Life, While My Guitar Gently Weeps, Baby You're a Rich Man, why this one? It's the lyrics. The song is one of John Lennon's best works of poetry ever. The words, it's always all about the words. No matter how crappy I may be feeling, I listen to this song and I think "it's all gonna be ok, I'll get through this. 'Nothing's gonna change my world'"



Counting Crows - Catapult
          I have a deep connection with this song. It's the first song that I heard from the first Counting Crows record that I bought when I started to really get into them a year and a half ago. The timing couldn't have been better for me to re-discover this band, it was the one year anniversary of my Grandmother, who I was very close to, passing away. Then suddenly, this song, that I'd never heard before, came spilling out of speakers on my laptop and I just started crying. It was exactly what I needed to hear:

"All of a sudden she disappears, just yesterday she was here, somebody tell me if I am sleeping, someone should be with me here, 'cause I don't want to be alone"

This song knew exactly how I was feeling. Even though it had been a year since my Grandma passed away, the memories were still way to fresh in my mind. Even now, two and a half years later, it's still a hard thing for me to deal with. Back in April my Great Aunt passed away, and again, this song was there for me. 
A week after she passed away, Counting Crows were playing a show in Sydney, Australia, which was to be broadcast live on YouTube. I had posted on Twitter to Adam Duritz that I'd be watching the show, and asked if they'd play Catapult for me, for my aunt. They played the song. Though I don't know whether or not they actually played it for me, and as much as I want to ask Adam about it next time I see him, I don't think I will. I like going on thinking it was, it makes it that much more special. With this song, I now know I can get through anything, I know that I'm not really alone; I've got my music. 



Field Report - Taking Alcatraz
          It took a while for this song to worm it's way into my soul. I've loved it since I first heard it about a year ago, but now it's part of me. Maybe it was seeing the song perfrormed live, something I've had the honor of experiencing three times, or maybe it's just the more I listen to it, the more it seeps into me. The line that gets me the most, the line that pops out and gets me every stinkin' time:

"And if we die here, well at least we'll make a choice, and if we're fine there, we can tell the boys, that a line in the sand don't matter, if you don't care, that a bird in the hand is worthless, if you're too scared" 

I think maybe more than the song itself, it's the passion and intensity singer/songwriter Chris Porterfield brings to the song when he performs it. I saw the band in Seattle a couple weeks ago, and hearing/seeing this song brought me to tears. Not many bands and/or songs can do that. Witnessing the passion that he brings to the song, and all their other songs is one of the things that helped me realise that I want to be a part of that world, I want to be constantly wrapped up in music. Making the decision to try find a way to pursue music writing as a career was helped along by seeing this band, and many, many others, and experiencing the passion and amazing people and music that is out there in the world right now. 




Well there you have it kids, a slight glimpse into my soul, into what helped make me ME, music wise anyway. Of course there's dozens more songs and bands who have contributed to the awesomeness that is me, such as Bryan Adams, Garth Brooks, and most recently, Elbow, but that's way too much to go into. These are, as of right now in my life, the most important. So as I leave you with probably the most personal thing I'll ever write, I urge you to think about your musical life, what songs have changed you, what songs have impacted your life the most, what songs Cher slapped you in the face and said "Snap out of it!" so you could be YOU.

Thursday, June 13, 2013

Single Review - Natural Disaster - Roem Baur


I met Roem Baur in Austin back in March when we were both there for SXSW, he as a performer, me as an overly excited music lover. I saw Roem play twice, both times I was completely impressed with his performances, his vocal styling, his guitar playing, just the whole Roem Baur package. 

Today Roem sent me his new single Natural Disaster from his upcoming EP. And much like a real natural disaster, I was blown away by this song. As I'm writing this, the count of how many times I've listened to the song in the last six hours keeps climbing into the mid 30s. 

At first listen, the song sucks you in. After running a couple times through I heard hints of Robert Palmer and Foreigner, but at the same time it's like nothing out there. This song is everything that rock and roll has to offer, and more.

From it's pounding drum line intro, fierce guitars, Baur's smooth, soulful yet tumultuous vocals, and all the way to the brilliant horn section (oh how I love me a horn section.) The lyrics telling of a troubled girl, a hot mess of a girl, a girl who likes to break hearts, have her heart broken, have whirlwind affairs, wreak havoc, run away, then come back around and do it again:


"My Baby loves a heartache, she wears it 'round her neck, so tight it's almost like I can taste it on her breath... She comes, she comes around just like a hurricane, she blows, she blows like a twister in the hard rain, she burns, she burns like a wild fire, white flame, I'm caught in the path of a natural disaster...When she comes around I try not to make a sound, But trouble is always going to find me. I try and hold her tight, to catch a bottle full of light, we break up, we make up, we're through, and then she's back again"



After hearing this song I'm very excited for the rest of the EP. The single will be available starting Monday, June 17th, exclusively on Roem's website, roembaur.com. with the rest of the EP following later this summer. Roem will also be on a west coast tour this summer, up California, into Oregon, and then in my neighborhood, Seattle, on July 16th (with Little Brave and Tyler Stenson)

Tuesday, June 4, 2013

Album Review - Volume 3 - She & Him




Some people have very strong feeling about Zooey Deschanel. Either they love her, or they hate her. Ok, maybe not hate, but dislike. Why? I really don't know. Personally, I love her. She's adorable, or adorkable, as I've heard her called. I've liked her since I saw her in the film Almost Famous. I know once or twice I've said that when I grow up, I want to be Zooey Deschanel. Her show New Girl is hilarious. We all learned she could sing, and sing well, in the movie Elf.  It was shortly after this that she and M. Ward joined musical forces to create She & Him.

Volume 3 is the fourth release from the duo. She & Him have released two previous Volume albums, and also a Christmas album (A Very She & Him Christmas.) I think my favorite thing about She & Him is their sound. This record, along with Volume One and Volume Two are like little time machines, transporting you to the time of  girl groups in the 1960s, such as The Crystals, The Ronnettes and Petula Clark. As I have been a long time fan of music from this era, these records, this duo, have earned a spot in my regular musical rotation.

Volume 3 contains fourteen tracks, all but three of them penned by Deschanel (Baby, Hold Me, Thrill Me, Kiss Me and Sunday Girl.) Many actors/actresses have tried to cross over into music, some have succeeded, some not so much. Deschanel proves here that she's got what it takes to make it. Brilliant songwriting with catchy lyrics and tunes, a fantastically smooth voice, and the ability to suck you right into the music and fall for it immediately.

Much like the two previous She & Him records, Volume 3 has a sunny disposition to it. The whole of the record stirs images and feelings of a warm summer afternoon, except for London, which paints a perfect, spot-on picture of the dreary city, something I'm very familiar with having lived in the Seattle area most of my life.

The easily a top hit, radio friendly (do they play She & Him on the radio?) track Together is one of my favorite tracks on the record; the writing, the vocals, the horn section, the whole of the song is all really fantastic. The single released for the record, I Could Have Been Your Girl is another peppy, catchy, play it ridiculously loud, confuse your friends as to which decade it is song. Check out the video, it's pretty rad.


Their cover of Harry Noble classic Hold Me, Thrill Me, Kiss Me, most notably recorded by Mel Carter  in 1965, is flawless. The heart and emotion of the song is carried start to finish. Another cover on the record, is that of Blondie's Sunday Girl. She & Him adds their signature throw back sound to this song, while keeping the integrity of the original.  

All in all, in my musical opinion, this is a great record. But I have been a She & Him fan for years, so maybe I'm a little biased. But still, it's pretty darn good. Go get it.